Korg TR Music Workstation Operation Guide 2E ii Manual do Utilizador Página 46
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4. Record the sample
1 Press the [F1] (“Sample”) key to access the SMPL
1.1: Recording, Sample page.
2 Press the [REC/WRITE] key.
3 At the moment that you wish to start sampling,
press the [START/STOP] key.
Sampling will start.
It is a good idea to allow a bit of extra time before
you start and after you stop sampling.
4 At the moment that you wish to stop sampling,
press the [START/STOP] key.
Sampling will stop.
A 140 BPM drum phrase has now been sampled.
The sample will automatically be assigned to
“SMPL.”
Sampling will stop automatically if the remaining
amount of memory reaches zero.
5 Listen to the sampled sound, and assign a name to
the sample.
Press the C2 note or the [AUDITION] key, and the
sampled sound will play. After you have verified
the sound, assign a name to the sample (
☞p.37)
(e.g., LOOP1-140 BPM). Up to 14 characters can be
input as the name of a stereo sample (the two char-
acters -L and -R at the end are fixed). When you
assign a name to either the L or R channel, the other
sample will be named automatically.
5. Make loop settings
Next we will delete unwanted portions from the sam-
ple, and make settings so that the sample will be
looped smoothly.
By default when the power is turned on, sampled
sounds will be looped automatically. (1.1: Record-
ing, Input/Pref page “Auto Loop On” On)
1 Press the [MENU] key to access the page menu.
Press the [F3] key, and then press the [F8] (“Open”)
key to select 3.1: Loop Edit.
2 Notice that 0000: LOOP1-140BPM -L is selected for
“SMPL.”
3 Press the [F2] (“Edit2”) key to access the Edit2
page.
The waveform data of the currently selected sample
will be displayed.
The selected sample is a stereo sample. The L and
R waveforms will be displayed alternately when
you press the [F3] (“L/R”) key.
4 Use “S (Start)” to set the start address, “LpS (Loop
Start)” to set the loop start address, and “E (End)”
to set the end address.
The sample will sound as follows.
When looping is on: S → E → LpS → E → (continue
repeating LpS → E)
When looping is off: S → E
Use the [ ], [ ] to select “S (Start)” (highlighted),
and use the [VALUE] dial etc. to specify the location
at which the sample will begin sounding. The verti-
cal line in the display will move accordingly.
As necessary, you can press the [F4]–[F7] keys to
expand or shrink the waveform display. Zoom will
expand/shrink the display starting at the selected
“S (Start),” “LpS (Loop Start),” or “E (End)”
points.
If you check “Zero (Use Zero),” locations where
the waveform is at zero will automatically be
found and selected when you use the [VALUE]
dial etc. to set “S (Start),” “LpS (Loop Start),” or
“E (End)” points. This makes it easy to set these
points to addresses that will not produce clicks or
noise.
For this example, set “LpS (Loop Start)” and “S
(Start)” to the same value.
If desired, you can make a dotted vertical line
appear in the sample waveform display to indicate
the BPM. If you use this function with waveforms
that have a specific BPM, it will be easier to make
accurate settings for “E (End).”
Press the [F8] (“UTILITY”) key to access the utility
menu, and press the [F7] key to select “Grid.”
Press the [F8] (“OK”) key. The following dialog
box will appear.
- Operation Guide 1
- About copyright 2
- About this manual 3
- Table of Contents 4
- Sequencer 8
- Dual polyphonic arpeggiator 8
- 4 channel audio output 8
- EXB-SMPL sampling upgrade 8
- Overview of the modes 9
- Global mode 10
- Media mode 10
- Sampling mode 10
- Front and rear panel 11
- Introduction 13
- PAGE +/–] key 13
- Rear panel 14
- ☞p.16). For parame 16
- (INDIVIDUAL) 1, 2 18
- Headphones 18
- 3. Connecting pedals etc 19
- 2. Connections to a computer 19
- SD card slot 20
- Connecting separately sold 20
- Basic operation 21
- 3. Selecting parameters 22
- 4. Setting a parameter 22
- Quick Start 24
- Listening to the demo songs 25
- Playing a cue list 26
- Selecting a program 27
- ☞PG p.234) 28
- Selecting a combination 29
- Joystick 30
- SW1, SW2 30
- A-mode controls 31
- Keyboard 32
- Foot pedals 32
- Settings using controllers 33
- Settings in the LCD screen 34
- Using the arpeggiator as you 35
- ☞p.104) 36
- ☞p.108) 36
- Play/Recording) function 37
- Simple program editing 38
- Simple combination editing 39
- Adjusting the volume 40
- Writing the combination 40
- Sampling (recording a sample) 41
- 5. Record a sample 42
- Saving sample data 44
- Sampling and looping a drum 45
- 4. Record the sample 46
- 5. Make loop settings 46
- Writing to internal memory 49
- Assigning a name (Rename) 50
- About the Edit Buffer 50
- Memory in Global mode 51
- Saving on external media 52
- MIDI data dump 53
- Loading the preloaded data 54
- Program mode 55
- Basic (Prog Basic) page 56
- OSC1 page, OSC2 page 56
- Pitch settings 3.1: Ed–Pitch 57
- Filter settings 58
- Amplifier settings 60
- 5.1: Ed–Amp1, 5.2: Ed–Amp2 60
- Auto Song Setup function 62
- Combination mode 63
- 2.1: Ed–Prog/Mix 64
- 3.2: Ed–Param2 66
- Layer and split settings 66
- 3.3: Ed–Key Zone 66
- Sequencer mode 69
- Patterns 70
- Cue List 70
- Producing a song 71
- 3. Recording the bass track 72
- 73
- 73
- ☞PG p.75) 74
- ☞PG p.79) 74
- [LOCATE] settings 76
- Song editing methods 77
- About editing 78
- Creating and recording RPPR 81
- RPPR playback 82
- Recording on the TR 87
- • Manual punch-in 88
- • Auto punch-in 88
- • Loop All Tracks 88
- Step recording 90
- In Sampling mode 93
- Samples and Multisamples 93
- Sampling 94
- Manual sampling 95
- Auto sampling 96
- Keyboard & Index 97
- Index MS(Multisample Select) 97
- Loop settings 98
- Multisample editing 100
- Basic functions 101
- Editing a drum kit 104
- Loading data 107
- Saving data 108
- Arpeggiator settings 109
- ☞p.111) 110
- ☞PG p.25) 110
- Arpeggiator on/off 111
- ☞PG p.138) 112
- “Vel (Velocity)” and “Flam.” 113
- Creating an example pattern 114
- Dual arpeggiator editing 116
- Synchronizing the arpeggiator 117
- Effects settings 118
- ☞p.113) 120
- About dynamic modulation 121
- Other functions 123
- Aftertouch curves 124
- Creating original scales 124
- Changing the scale 124
- REALTIME CONTROLS [1]–[4] 125
- ☞p.121, PG p.127) 126
- ☞PG p.127 Global 126
- Appendices 127
- Specifications and options 130
- MIDI Implementation Chart 132
- KORG INC 136
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